1. Untitled, 2. Untitled, 3. Untitled, 4. Untitled

Holiday Greetings to you!

Christmas eve and day went by fast, I hope you had a wonderful celebration!

Liz

Making a Mark Annual Awards Nominations

Hello,

Every year the Making a Mark blog hosts annual awards for a variety of categories that have been blogged in the previous year. {More information about the awards can be found here.}

For the past few years I have nominated different artists for the categories in landscape, portrait/figures, and still life. This year I thought I would share the links and what I wrote in the nominating comments here. I follow several different artist and art related blogs, gleaning knowledge and inspiration. I find the internet has been such a wonderful resource and so full of generous artist that taking time note some of those that have been particularly influential in my own art career this year is the least I can do.

Please take a moment to visit each blog.
Thanks, Liz

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The Best Place/Landscape 2010

For the Landscape category I am nominating Jeffery Boron’s painting “Island Sunset” from March 24, 2010.

Jeffery has a very distinct style and I am drawn to how he combines color and pattern to stylize his view of the world around him. This particular painting has all the characteristics I love in his work – energy, color, contrast of values, and an appealing sense of lightness and appreciation of nature.


The Best Portrait/Figures 2010

I would like to nominate Kevin Wueste’s drawing of Randy posted on May 8, 2010 {scroll down to the fourth image in this post}

I wish I could nominate every work he created this year, narrowing it down to one was difficult, I selected Randy because of how Kevin seemed to capture the intense stare of the model and the direct interaction that must have occurred during the session.

Kevin’s ability to capture the human spirit is an inspiration to me. He is capable in all mediums however I particularly enjoy viewing his portrait drawings because of the energy in the mark making and how he keeps some areas simple and develops and refines the drawing only where the maximum effect is required.

The Best Still Life 2010

I am nominating Sadie J. Valeri’s still life painting “Message in a Bottle” posted on September 30, 2010.

I am drawn to the quite simpleness of this painting. The muted color palette, the simple division of space, and the excellent skill in applying paint. Beautiful in so many ways! What is also wonderful about this blog post is that she shared multiple stages of this painting, so you get to see how she began and how the painting progressed into this gem.

Holiday Preparations...

Hello,

I wanted to pop in and share some of moments of the past few weeks. I have been focused on "making christmas", that is all that goes into it like wrapping gifts, making holiday cards, baking, cooking, and sharing time with friends and S.

This is my fourth year to design our holiday cards,

including carving the stamp and printing the cards,

so each card is individual and special.

chocolate crinkle cookies, inspired by little brown pen

my favorite holiday pillow...

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Are you familiar with Tim Burton's Nightmare Before Christmas?

It is one of my favorite holiday films, I love the idea of how these good hearted ghouls take over Christmas and refashioned it with their value system.

Have a wonderful weekend, and I will stop in soon :) Liz

Sorry I have been absent lately. Since getting back from Washington state I have been plagued with fatigue and the little happenings that make up the holiday season.

This is my favorite time of the year and I want to savour every moment.

Stay warm! Liz

Back from Washington State

Yesterday I flew back from Washington State, it was a whirlwind trip of visiting with members of my family that live there and some good friends from college.

Seattle was cool and dry, but once I got over the Cascades it was all white and snowy.


...from my sister's in Wenatchee...


...along highway 97 to Omak, WA. All the orchards look so cold and barren with the coating of white.


My parents live outside Omak, Wa in a tiny community called Riverside. One of the days while visiting I went on a beautiful hike up the valley behind their house {here are more photos}.


While on the plane I continued to copy from my anatomy books. This image is from the flight home.

Today was all about catching up on sleep and sorting things out... Tomorrow I hope to be back on schedule :) Until then, have a wonderful evening, Liz

Another Anatomy Sketch

Hello,

Here is another anatomy sketch completed on canson paper with charcoal pencil and a white pastel pencil. These two sketches focus on the cervical vertebrae of the spine and how they connect with the skull.




Tomorrow I am headed out of town for about a week and I am not sure if I will have internet access to post while away. I am bringing the Bridgman and Vanderpoelbooks with me so during down times I will hopefully be able to keep copying and stay on track with learning about anatomy.

Have a wonderful week, and see you soon, Liz

Week 14: Vase of Flowers by Jan Davidsz de Heem

Hello,

Progress for this week was really more of the same as last week. I ended up refining the initial block in of the red flower and leaves below the tulips, expanding a little to the purple flowers. The detail was kept to a minimum due to the need of verifying and adjusting scale some. I got off some, making the leaves a little to big for this side of the canvas.

I also completed the second pass of the outer tulip, refining some of the value variations and shape of the petals and I began to paint the yellow butterfly, one of the most important insects in the painting.

{at the end of week 14}


{at the end of week 13}

Anatomy Drawings: the skull and its muscles

Today I spent time learning about the skull and the muscles of the face and neck. These drawings were copied from Joseph Sheppard's book Anatomy: A Complete Guide for Artists. This book has some clear drawings of the bone structure and the muscles, and it easy to learn from because of how developed the drawings are. A few days ago I was copying from George Bridgeman's book and found that the sketchy nature of his drawings to be too loose for what I initially need. I figure I will return to that book after copying from other books.

Also in the desire to share this experience with other artists I opened a flickr group dedicated to Human Anatomy. Being that I am unable to travel and study at an atelier, I figured the next best thing would be to learn from books and devise a self guided program while using the wonderful artist community found on the internet and on flickr for inspiration and motivation.

If you are on flickr please join in and add your drawings also!

Thanks and have a great evening, Liz

Beginning a new study project...

{setup to start copying from Bridgman}

With the start of winter break at the Art League, this week I am beginning a new learning project to take advantage of the multiple days of uninterrupted time to focus on human anatomy. My goal is to intensively study anatomy and how it functions during this time to kick start a specific focus area to grow for the next year.

The plan it so copy from several resources and to share the process with you as the project progresses.

The books I am using as references are:

1. Anatomy and Drawing by Victor Perard
2. Bridgman's Complete Guide to Drawing from Life
3. The Human Figure by Joseph Vanderpoel
4. Drawing Lessons from the Great Masters by Robert Beverly Hale
5. Anatomy: A Complete Guide for Artists by Joseph Sheppard
6. The Artist's Complete Guide to Figure Drawing by Anthony Ryder
7. Drawing Course by Charles Bargue and Jean-Leon Gerome

When planning this project I decided to use the order presented in the Vanderpoel book as my guide in how to sequence the study. So beginning with the head and its features, I will read and copy from each of these books, sharing with you the progress. The reason to work from so many different books is to learn from the various viewpoints, thus becoming familiar and comfortable with the different ways each artist presents the subject matter.

{layouts from the Perard book}

So I began with copying from Bridgman'sbook, and during that time Slim insisted in sharing my lap with the drawing board, it made the drawing a little difficult, however it was particularly special having her purr and cuddle in my lap...

Week 13: Vase of Flowers by Jan Davidsz de Heem

{copy of Vase of Flowers}

Hello,

Yesterday was a fun day at the NGA, I missed being there last week however feel it was good to have some breathing room. Seeing the status of the entire painting is fun to observe, so much has changed in the last several weeks, yesterday was my thirteenth time working on this project.

Slowing down and being comfortable to work on only small portions of the composition each time I am in the gallery has been a big breakthrough for me. By being willing to slow down and only setting small goals for each day I have found that I am still moving along at a good pace.

{beginning of day status}

For this week I chose to only focus on the red and white poppy and the central tulip. By limiting my goal for the day I was able to establish a plan of action and to work towards the portions that were important, re-wetting the paint surface in areas that required wet-in-wet work and leaving other areas dry where the desire to have a hard firm edge was prefered.

{end of day status}

By the end of the day I was pleased to realize that more than just the two flowers had been worked on and refined to a near finished level. I was also able to finish the pea pods and the greenery below the orange daisy, while beginning the first block in of the red flower directly below the tulip.

I have learned that the general massing in I did at the beginning of this project was helpful for getting the entire composition scaled to the size of the canvas, however now that I am working to a finer level it is important to then go back into the area and re-establish the massing and basic block in. I do this with a thinned "lean" paint and then let it dry over the week before returning to refine it further with a "fatter" layer of paint. By setting up the proportional block in with a thinned paint and then later going back over it with a fatter layer of paint I am using the "fat over lean" technique to hopefully control any chance of future cracking.

If you observe closely the area below the central tulip you will see the flat-ish block in of a snail and the red flower with its dark green leaves. These items were blocked in with a thinned layer making room for next week when I return to refine that portion of the painting and also refine the outer tulip with the yellow butterfly.

Thanks for stopping by and being part of this project, I appreciate it :)

Liz

More organizing went on this week...

On Tuesday's I attend class all day {9:30am to 6:30pm} and usually I am beat by the end of the day, this week after having a quick dinner I was eager to dive in and begin giving reason and method for how I store my supplies. The organization process continued onto today with the main brunt of the work being completed on Wednesday.

{clear glass, blue and green bottles and vases, and shop towels}

Next to my desk I moved in a simple book shelf to house the variety of clear and colored glass bottles I have been collecting over the past few years. I am also keeping an incomplete portrait on its top shelf to remind me that I need to get back to this painting and finish it.

This year I began to gather tin cans as containers for holding paint brushes and palette knives, I have also found they work great for holding solvent when I do not want to use the silicoil jar. The nearby drafting table has become a still life stand.

{under the window}

Another shelf full of various dishware and bottles, including my brown bottle collection which has the two Chimay bottles from my last day of work as an architect lunch! That had to be the best day of my life, saying goodby to a career that had always been an emotional struggle to enjoy and embarking on my new life as a full time artist!

My taboret is from the container store and it has rolling wheels making it a lifesaver because of its flexibility.

{the big shelving unit in the back of the studio}

This is what took up most of my time this week. I took everything off of this Ikea shelving unit and started from scratch, before sorting all the items, every shelf was overflowing, and I had a lot leaning against the front of it also. When things get disorganized, you need more space. I decided to sort the shelves by what they hold and to also assign shelves to what canvas size will fit. This helped me condense some of the shelves to free up shelves for the future. {I added specific notes to this photo on flickr}

On the far left shelves are binders dedicated to tear sheets, printed out open source books, and other art reference materials. I prefer to read things on paper and to highlight important and pertinent ideas, so the more important websites will sometimes get printed out for future reference and then are stored in these binders.

Here are a few links to what is in the binders:
. Painting in France
. Elements of Drawing
. Drawing and Engraving
. Water and Light
. Handprint

I am in the process of re-organizing the studio, this is my desk now... no computer, just paper and writing materials... eventually this may change if I decide to move my computer into the studio.

Presently I keep the computer out of the studio to minimize distractions...

Habib's Solo Show

Yesterday evening I attended the opening of a good friend's, Habib Hastaie, solo show in Potomac, MD. His work is being shown at the Art Gallery of Potomac.

{Habib Hastaie in front of his landscape paintings}

{people gathering}

{traditional Persian muscian playing at the opening}

The show runs through December 19th, so if you find yourself in Potomac, MD please stop in to view his work. The gallery is located at 10107 River Road Potomac Maryland 20854.

PS. Here are more photos from the opening.

Working on a new drawing

{on the drawing board}

Hello,

Today I did not go to the NGA to work on the copy, instead today I stayed home working on a variety of loose end and I thought it would be nice to share with you a new graphite drawing that is still in progress.

This drawing was begun drawing from life, the roses have long since withered and faded, however I still think certain areas could be improved in value to strenghten the composition. So I am playing with it some, on Saturday I worked on some areas, darkening the values on some leaves and now it is leaning against a wall for me to observe it more to see if it needs anything else.

Here are a few close ups of the tools I am using. When drawing with graphite I prefer using lead holders and I only like using "Turqouise" brand lead, as it is the smoothest and most reliable level of hardness. I use 2H, HB, 2B, 4B, and 6B leads. This drawing is on handmade Twinrocker paper, Yale Wove Text weight. It is my first time using this paper, before I had been hesitant to pay almost $10.00 for a single sheet of paper, now I am converted, the texture of this paper is fantastic. The fibers are strong and durable, so you do not ruin the surface of the paper with erasing, even with a hard rubber eraser.

{detail of supplies}

I use two lead holders usually, one that always has a harder lead and one that has a softer lead, that way I can go back and forth without changing leads every few moments. I like to use a kneaded eraser for most of my eraser needs, however there are times when I need something more powerful and that is when I use the fine grained rubber erasers, this eraser paired with the eraser shield helps me localize a specific area. It can be a real life saver, especially when you accidentally drop the lead holder on your drawing and it leaves a big ugly mark!

When drawing with graphite I try to work left to right, top to bottom, to minimize smudging, however in the later stages of a drawing where I am reworking and refining areas I find having a sheet of glassine is helpful as it will not smudge the graphite.

Allied Artist of America Annual Exhibition

{Still Life with Bird Nest and Bottle}
14" x 11" (35.6 x 28 cm) - Oil on Linen}

This year, I am participating in the Allied Artists of America 97th Annual Juried Exhibition. My painting, Still Life with Bird Nest and Bottle, will be part of this exhibit, on display from November 12th through November 30th at the National Arts Club.

Please stop in to show your support for this historic art institution, and for the talented artists chosen for this year's event. The National Arts Club is located at 15 Gramercy Park South in Manhattan, and is open M, W-F 10-12pm & 3-5pm, Tues 2-5pm. Hope to see you there.